50 euro goldcoin 2022 "Musikinstrumente - Konzertgitarre"

Instrument making has occupied a prominent place in German cultural history since the Middle Ages.
474,87 Euro 474,87 Euro
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Overview details

Overview details

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Series: „Musikinstrumente“
Artists: Jordi Truxa, Neuenhagen (image side), Erich Ott, München (value side)
Issue date: August 08, 2022
Mints: Berlin (A), München (D), Stuttgart (F), Karlsruhe (G), Hamburg (J)
Weight: 7,78 g
Coin diameter: ca. 22 mm
Material: Fine gold (Au 999,9)
Nominal: 50 Euro
Edge: plain grained
Mint quality: brilliant uncirculated
Circulation: 78.000 pieces

Description Coin

Description Coin

The motif of the 50 euro gold coin, designed by the artist Jordi Truxa from Neuenhagen near Berlin, makes the fascination of the concert guitar tangible and tangible through the perspective representation. The instrument appears particularly three-dimensional; the diagonal playing position reflects the usual playing action. This means that the coin fits seamlessly into the other coins in the series, which, in their reduction to iconography, make the respective instrument sound visually.

Backgroundinformation

Backgroundinformation

The instruments are in demand worldwide due to their high quality. This fact is recognized by the five-part series “Musical Instruments”, the conclusion of which this year marks the 50 euro “Concert Guitar” gold coin.

The guitar - including its predecessors from which it evolved - is probably one of the most popular instruments in the world, across the centuries and across many regions and cultures. The first lute instruments have been known in the Orient for 5,000 years. Egyptian drawings from the time of the Pharaohs show women playing lute-like instruments. The Arabic lute reached Europe via North Africa and Spain in the 8th century AD. The term “guitar” first appeared in the 13th century. The Spanish guitar maker Antonio Torres (1817 - 1892) is considered the "father" of the modern concert guitar, whose instruments correspond in shape and construction to today's guitars. Among other things, he enlarged the body and used thinner wood than was usual at the time. He also improves the sound by developing a fan system that reinforces the guitar top and distributes the vibrations across the entire surface. In Germany, this construction method was primarily taken up and spread by Hermann Hauser I (1882 - 1952).